The Athenaeum Music & Arts Library has earned a reputation as one of the outstanding art galleries and art collectors in San Diego. The Athenaeum’s art exhibition program, begun in the 1920s, has grown tremendously in both scope and recognition, particularly in the past 20 years.
Exhibitions are presented in three gallery spaces: the Joseph Clayes III Gallery, the Rotunda Gallery, and the North Reading Room. Approximately eight exhibitions per year are presented in each. Exhibitions in the Joseph Clayes III Gallery focus on nationally and internationally recognized artists. The Rotunda Gallery emphasizes community partnerships or emerging regional artists. Art in both galleries are related to the Athenaeum’s other focuses, namely books or music. Works have included limited edition artists' books, drawing, painting, site-specific installations, photography, sculpture, collage, mixed media, architecture, and calligraphy.
The North Reading Room, opened during the library’s expansion in 2007, is devoted to showcasing the Athenaeum’s Erika and Fred Torri Arists’ Books Collection. For each exhibition, one artist or press from the collection is highlighted.
Exhibitions have given deserved recognition to San Diego artists including Joyce Cutler-Shaw, Patricia Patterson, Manny Farber, Italo Scanga, Zandra Rhodes, Russell Forester, Ernest Silva, Faiya Fredman, Jean Lowe, Viviana Lombrozo, Becky Cohen, Nina Katchadourian, Ethel Greene, Robin Bright, Raul Guerrero, Ellen Phillips, James Hubble, Jo Ann Tanzer, Christine Oatman, Roberto Salas, Marie Najera, Kim MacConnel, Teddy Cruz, Adam Belt, Jim Lee, Jay Johnson, David Adey, Ellen Salk, Gail Roberts, Sondra Sherman, and Philipp Scholz Rittermann. Artists from across the U.S. and around the world have included Harry Sternberg, Mauro Staccioli, Marcos Ramirez (ERRE), Nathan Gluck, William Wegman, Faith Ringgold, Ming Mur-Ray, Rolf Händler, David Teeple and Peter Dreher.
The Rotunda Gallery features annual collaborations with the La Jolla Historical Society, the San Diego State University Art Council, and Children’s Hospital. Other community projects have included a fundraising exhibition for the Pacific Rim Parks Project.
The Athenaeum’s Annual Juried Exhibition, and Biennial Artists’ Book Juried Exhibition are among the most prestigious in the San Diego area, and the most sought-after by entering artists.
The Athenaeum Music & Arts Library’s art exhibitions are on view during library hours, Tuesday through Saturday, 10 a.m. to 5:30 p.m., and Wednesdays until 8:30 p.m. There is no charge for admission. Opening receptions, lectures and artist’s walk-throughs are also free of charge.
February 22- March 29, 2014
The Athenaeum, in conjunction with Quint Contemporary Art, is pleased to present the artwork of Robert Irwin. The opening reception will be held Friday, February 21, from 6:30 to 8:30 p.m., and the exhibition will run through March 29.
Robert Irwin as an artist, theoretician, and teacher, has played a pivotal role for over the last 50 years in the development of the unique tenants of Modern Art. Through his own personal Husserlian reduction, his work became the precursor for art outside the frame and object. This includes installation art, light and space art, art in public spaces, site specific art, and what he now terms, conditional art which draws the focus to the relationship and role of the sentient being vis-á-vis the cognitive self.
Over the last 50 years Irwin has produced some extraordinary exhibitions and projects including: “Fractured Light– Partial Scrim– Eye Level” Museum of Modern Art, New York (1970-1971); “Black Line Room Division + Extended Forms” Whitney Museum, New York (1977); “48 Shadow Planes” Old Post Office, Washington DC (1983); “9 Spaces, 9 Trees” Seattle, Washington (1983); “Two Running Violet V Forms” Stuart Collection UCSD, California (1983); “Ascending” Musee d’ Art Moderne deVille Paris, France (1994); “Double Diamond” Musée d’Art Contemporain, Lyon, France (1997-1998); “Exercises” Dia Center for the Arts, New York, “The Central Garden” J Paul Getty, Los Angeles (1998); “Architecture and Grounds” Dia Beacon, New York (2003); and “Primaries and Secondaries” Museum of Contemporary Art San Diego (2007-2008).
Joseph Clayes III Gallery: 2013 San Diego Art Prize Recipients: James Hubbell with Brennan Hubbell, Larry and Debby Kline with James Enos
April 5–May 3, 2014
For the fourth consecutive year the Athenaeum presents the work of the San Diego Art Prize winners. The San Diego Art Prize spotlights established San Diego artists together with emerging artists. A panel of local art administrators selects the established artists and they, in turn, select an emerging artist. In 2013 the winners are James Hubbell with emerging artist Brennan Hubbell, and Larry and Debby Kline with emerging artist James Enos.
James Hubbell studied design and painting at Whitney Art School in Connecticut, then served in Korea. Returning home, he studied painting and sculpture at Cranbrook Academy of Art in Michigan. Hubbell has designed hundreds of commissions, including doors, sculptures, fountains, and gardens. He has created restaurants, homes, chapels, schools, and parks, but is best known for the chapel at Sea Ranch, California, and the Palace Doors of Abu Dhabi in the United Arab Emirates. At the present time, he has become increasingly interested in parks and gardens as a way to link the human world to the world of nature. Some of the most recent work is the Gazebo Park in Shelter Island, a fountain at the City Complex on Coronado, and a large forged-iron gate at the Julian multi-use library. James Hubbell’s work has an international reputation with work completed in the United States, Mexico, Scotland, United Arab Emirates, Russia, and China. Hubbell, along with his wife, Anne Stewart, created the Ilan-Lael Foundation, an arts education nonprofit that creates “a space to connect people, art and nature for a more sustainable and harmonious world.”
James A. Enos is an artist and architectural designer producing narrative works that offer an alternative imagination of urban space. Focusing on questions of civic identity and collective strategies for social change, he offers a poignant critique toward addressing what he describes as the “fundamental aesthetic challenges facing North American cities.” By way of institutional performances and public programming, and via interdisciplinary visualizations, Enos pairs our erroneous and irrational conceptions of the 21st century landscape with provocations of reciprocity. He is the co-founder and director of The Periscope Project, a collaborative project platform, urban think-tank, and former alternative space, and has served as the North American project director of Port Journeys for the Spiral (Wacoal Art Center), Tokyo, and Zou-no-hana Terrace, Yokohama. He has exhibited in the architectural exhibition at the U.S. Pavilion in the 13th Venice Biennale, among other national and international institutions.
April 5–May 3, 2014
May 10–June 14, 2014
It’s not what you look at that matters, it’s what you see.
Involved in photography from childhood and holding a BFA from the Maryland Institute, Jan Staller moved to New York City in 1976. He was soon completing assignments for The New York Times Magazine, Life, Fortune, Forbes, and other publications. At the same time he began his personal work: color photographs of the industrial and urban landscape of Manhattan and the greater metropolitan area. Before long these photographs would appear in photography journals and art galleries. Staller's influential nighttime photographs have been exhibited and collected by galleries and museums worldwide, including the Julie Saul Gallery, MoMA, the Whitney Museum, and the New Museum. His most recent photographs of a Manhattan construction site were published in the November 8 issue of The New York Times Magazine.
May 10–June 14, 2014
The Athenaeum presents for the twelfth consecutive year an exhibition of artwork by scholarship winners of the San Diego State University School of Art, Design, and Art History. The SDSU Art Council selects students from the upper division of the undergraduate or graduate programs. Each of the award winners receives the opportunity to present their artwork or thesis paper in the Athenaeum’s Rotunda Gallery.The show is a consistent highlight of the Athenaeum’s exhibition calendar. Please join us for the opening reception on Friday, May 9, at 6:30pm. A short ceremony in the Rotunda will honor the winners.