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The Athenaeum presents various series of art and music lectures, including topics in classical music and jazz, visual art, art history, and architecture, with speakers from San Diego and beyond.


Bringing Lieder Alive
A Three-Part Concert-Lecture Series in Conjunction
with the Chamber Music Season

October 17, 19, 21, 2014; 7:30 PM
Series: $54 members, $69 nonmembers

Friday, October 17, 2014; 7:30PM
Individual concerts: $20 members, $25 nonmembers

Sunday, October 19, 2014; 7:30PM
Individual concerts: $20 members, $25 nonmembers

Tuesday, October 21, 2014; 7:30PM
Individual concerts: $20 members, $25 nonmembers

 

Lectureres

The Athenaeum Music & Arts Library will present Bringing Lieder Alive, a Lieder Performance Lecture in conjunction with the Chamber Music Season's Opening Performance. The three part  concert-lecture series is now scheduled for October 17, 19 and 21 at 7:30 p.m.

Every human emotion can be found in the Romantic poetry of the later-18th and 19th centuries, and many of the greatest and most loved composers have each produced hundreds of settings of these poems.  These short, concentrated works   can produce one of the most profound effects in all music.
           
The performances of mezzo-soprano Kindra Scharich penetrate deeply into the hearts of her listeners, including those experiencing Lieder for the first time.  Her piano collaborator and partner in designing this concert-lecture series is San Diego pianist and lecturer, Dr. George Fee.  Their selections will include many of the most familiar and best loved Lieder, as well as lesser known gems.
                       
The first session will include Lieder by Mozart, Beethoven, and Schubert. Session two will feature late-Schubert and Schumann, and also include works by Mendelssohn and Liszt.  Bass Kirk Eichelberger will join Scharich and Fee in this program. The final session will cover Brahms, Hugo Wolf, Richard Strauss, and Mahler. One can listen to a one hour Lieder recital performed by Scharich and Fee, and find information on important Lieder composers and the evolution of the Lied at www.dersnah-fee.com/lieder-and-more.html

Attendees will experience the entire spectrum of Lieder written between 1785 and 1901, and will gain a better understanding of how to listen to Lieder.  This knowledge will be helpful when attending the recital of Luca Pisaroni, as all of the composers, and some of the actual Lieder, will already have been discussed and performed.  The last Lieder lecture on October 21 enhances the opening chamber concert with Luca Pisaroni the following week. That week Pisaroni will be performing the Lieder repertoire set to the words of Geothe and Heinrich Heine and accompanied by the Metropolitan Opera's greatest accompanist Noah Wolfinger.



 

Art History Lecture


PLUNDER! AT THE ATHENAEUM THURSDAYS IN OCTOBER
with James Grebl, Ph.D.

Thursdays, October 9, 16, 23, 30, 7:30 p.m.
Series: $50 members, $70 nonmembers


Individual lectures: $14 members, $19 nonmembers

Nefretete

The Athenaeum Music & Arts Library will present Plunder! European Art Looting Through the Centuries, a new series by art history lecturer James Grebl, Ph.D. The four part series will be on Thursdays through the month of October at 7:30 p.m.

The plundering of art has been a normal feature of warfare for millennia, beginning with the ancient conflicts in Mesopotamia, Egypt, Persia, and Greece, and continuing through World War II. In addition, since the late 18th century, the more “civilized” looting of artworks by antiquarians and archaeologists has been a widespread practice. In this series, art historian James Grebl will focus on four significant aspects of art plunder perpetrated against the Near East and throughout Europe: the plunder of the Greek world in ancient and modern times; the looting of Egypt and the Near East from the Roman era until the present; Napoleon’s plunder of conquered lands; and the looting of Europe by the Nazis and the Soviets during the Second World War.

October 9–Looting of the Ancient Greek World

The Romans systematically looted the art of their Greek neighbors throughout the conquest of the Mediterranean world, beginning with the sack of Syracuse in 211 BC and continuing through the 2nd and 1st centuries BC in Athens, Corinth, and the cities of Asia Minor. Much of what the Romans left behind was scooped up by antiquarians and archaeologists from Britain, Germany, and France in the 19th and 20th centuries, filling major institutions such as the Louvre, the British Museum, and museums in Berlin with stolen treasures.

October 16–Looting of the Ancient Near East

The looting of Egypt and Mesopotamia followed a similar pattern to the plunder of Greece, beginning with the Roman annexation of Egypt in 31 BC and continuing through the expedition of Napoleon Bonaparte in 1798 and the removal of artifacts and sometimes entire architectural structures by European and American collectors and excavators in the 19th and 20th centuries.

October 23–Napoléonic Plunder of Europe

Napoléon Bonaparte viewed the art treasures of Italy, Germany, Spain, and the Netherlands as legitimate spoils of war, and set about stripping these countries of some of their finest masterpieces. His goal was to make the Louvre the finest museum in the world, and although much of the art he plundered was returned after his defeat, many stolen works remain in Louvre’s collections.

October 30–Plunder of Europe During World War II

Adolph Hitler also aspired to create the greatest art museum in history, in Linz, Austria, and as German troops occupied most of Europe, specially trained squads were dispatched to acquire some 6 million works of art by theft and extortion (and sometimes even by purchase). After the fall of Nazi Germany, the Soviet Union viewed plundered art as just compensation for the destruction and thievery inflicted on it by Hitler, and to this day countries of the former CCCP refuse to return many artworks they looted in 1945.

 


Special Lecture


Tales of Loss & Redemption: THe Country House in the National Trust with Sean E. Sawyer, Ph.D.

Monday, November 17, 2014, 6:15PM
$20 members, $25 nonmembers

From the 1880s through the 1930s, Britain experienced a revolution in land ownership only paralleled in its history by the Norman Conquest and the Dissolution of the Monasteries. Britain's landed elites found themselves under attack by the forces of modernity on all fronts, and their bastion, the country house, fell to the auction block and the wrecker's ball in increasing numbers throughout the first half of the 20th century. Into this breach in the fabric of British landed society stepped a reluctant new force of social order, the National Trust. The Royal Oak Foundation's executive director, Dr. Sean E. Sawyer, will discuss the National Trust's role in rescuing some of Britain's greatest country houses and their internationally significant collections of decorative and fine arts. From a reluctant recipient of a handful of houses in the 1920s, the Trust evolved, through its Country Houses Scheme, to lead the way in preserving houses and collections through the bleakest years of the post–World War II era. The last decades of the 20th century saw a revival of fortunes for the country house and the Trust's adaptation as its role as a leading operator of visitor attractions. This is a story full of deaths, both mortal and material, and of daring rescues and bureaucratic blindness. This illustrated lecture will explore some of the Trust's most important properties, including Blickling and Hardwick Hall, and of the families and great characters who haunt them still.

Sean Sawyer, Ph.D. became Executive Director of The Royal Oak Foundation in October 2010. He received a B.A. summa cum laude from Princeton University in 1988 and his doctorate from Columbia University in 1999, specializing in 18th and 19th century British architectural history. In 1996, he was awarded the Society of Architectural Historians of Great Britain's Hawksmoor Essay Medal, and in 2002 he attended the Attingham Summer School as a Royal Oak Fellow. Sean has taught at Columbia, Fordham and Harvard universities, as well as the history of decorative arts and design at the Cooper-Hewitt through Parsons The New School for Design's graduate program. He has contributed essays and articles on Sir John Soane and late Georgian architecture and urbanism, as well as Dutch–American history and architecture, to numerous publications. From 2001 to 2007 he served as Executive Director of the Wyckoff House & Association, a Brooklyn–based national membership organization focused on the operation of the Wyckoff Farmhouse Museum. Prior to joining Royal Oak, Sean was Director of Administration and Development for the History Department at Columbia University for three years. He is a founding and current member of the Board of Directors for the Dyckman Farmhouse Museum Alliance, which supports the Dyckman Farmhouse Museum in Inwood, Manhattan.

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