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Spring 2009 School of the Arts Schedule

Letter from the School of the Arts Director:

Welcome to the Spring Session at the Athenaeum’s School of the Arts! It’s time to paint flowers, arrange flowers, or if you are more adventurous, you can explore screen-printing (or silkscreen), mixed-media, sculpture, or letterpress classes. The School of the Arts continues to offer art classes for children and adults at our two locations: in La Jolla and at our San Diego Studio on Park Boulevard in the middle of the thriving art district of University Heights. All our instructors are exhibiting artists themselves and can be seen in galleries in San Diego and Los Angeles.

We look forward to seeing you at the School of the Arts!

Cornelia Feye
School of the Arts and Arts Education Director

1. Beautiful Botanical Drawing
Irina Gronborg

“If you can draw a leaf, you can draw the world.” John Ruskin

Discover beauty in a lettuce leaf or in the stem of a rose. Drawing slowly and attentively gives each of us, beginner and advanced, the opportunity/occasion to pay attention and to really see what is before us. We will pay our respects to both the truth and beauty of botanical structures. The class will consist of tonal and color renderings plus some exciting speed-drawing exercises. There will be demonstrations, examples of Irina’s botanical sketchbooks and formal drawings, and a sampling of the history of botanical drawings—plus the tips and tricks advanced students have been waiting for! Each student will be given two of Irina’s booklets, designed especially for this class. Website: www.irinagronborg.com.

Mondays, 9 AM–12 NOON
Mar. 23–May 11
La Jolla Studio
$190/215

Materials: Graphite pencils (4B and 2B), kneaded eraser, plastic eraser, pencil sharpener, a pad of 9” x 11” or 11”x 14” drawing paper (Strathmore is an excellent brand), and a 48-pencil set of sharpened Sanford Prismacolor pencils.

2. Pen & Ink Variety Pack
Lori Mitchell

Each week we will try a different subject in pen and ink:
Exploring the Masters
Still Life
Travel
Landscape
Animals
Faces

During the last two classes we will finish anything that was started or will work on a favorite subject. We will explore texture, line, shape, and negative space.
We will explore the broad variety and versatility of pen-and-ink techniques using dip pens, ballpoint pens, and an assortment of ink pens. You will be able to take home at least one finished drawing, if not seven or eight. All levels from beginning to advanced are welcome. With weather permitting, we may go outdoors for our landscape class. We will have a model for the class on faces, and I will go over many helpful tips before we start drawing so you will get the correct proportions for the face.

Mondays, 1–4 PM
Mar 23–May 11
La Jolla Studio
$190/215 + $5 supply fee (includes model on one day)

Materials: India ink in a bottle that can be dipped into; dip pens with at least three nibs that are different thicknesses (thin, medium, and thick); one black ballpoint pen; one sketchbook no smaller than 8-1/2” x 11”. Feel free to bring any pens or paper you would like to try. If you have a favorite travel, animal, or “face” photo, and it’s a nice big, clear shot, bring it along. If not, there will be photos supplied.

3. Putting on the Paint
Stephanie Goldman

Beginning with gestures and short poses, you will learn to simplify and abstract the figure into basic shapes and values. Students will practice developing two-toned studies, progressing to simple color studies, as well as learning basic anatomical landmarks for figure and portrait painting. Class instruction will focus on gesture, proportions, superficial anatomy, tonal value, and color relationships. The class will introduce a new element called putting on the paint, using different brushes and tools to create varied techniques and textural surfaces. Poses will be set so that the student can either practice painting the whole figure or focus only on the portrait. There will be class demonstrations of new concepts and principles as well as individual critiques.

Tuesdays, 9:30 AM–12:30 PM
Mar. 24–May 12
La Jolla Studio
$225/260 (includes model)

Materials: Canvas, Masonite, or art board: 16” x 20”; all should be toned with Golden Acrylic medium gray #6 (thin 50% with water and brush on). Brushes: bristle blends: filbert #4, #2; rounds #1, #2, and #3 (several of each are recommended). Oil paint: Burnt Umber, *Burnt Sienna, Cadmium Red, *Alizarin Crimson, Cadmium Orange, Cadmium Yellow, *Cadmium Lemon, Cadmium Green Pale, *Viridian, Cerulean Blue, *Ultramarine Blue, Magenta, Dioxazine Purple, *Titanium White, and *Ivory Black. Palette: 11” x 14” or larger wood or glass palette. Other: Viva brand paper towels, Winsor & Newton Liquin, palette cups, odorless mineral spirits. *Required colors for the class.

4. Dance of the Brush—Chinese Brush Painting & Calligraphy
Jean Shen

Jean will present the way of Chinese brush painting both as a dance and a powerful weapon in the hand of a warrior. You will learn to wield the brush like a sword when you paint bamboo trunks, twigs, and joints, and learn Chinese calligraphy—all powerful movements. You will switch to being a dancer when you paint bamboo leaves and playful fish. Continuing students will pursue other subjects such as animals, flowers, and landscapes. This class is both for total beginners and advanced students.

Tuesdays, 1–4 PM
Mar. 24–May 12
La Jolla Studio
$190/215

Materials: Please bring to the workshop the following items: Three water containers (such as margarine-size plastic containers); a watercolor palette or several plastic or ceramic plates for mixing colors; a pad of newsprint at least 12” x 18” or larger; a stack of newspapers; a piece of black felt material, which is available at fabric stores, approximately four foot wide to cover the table where you work. Chinese art supplies—quality “power” Chinese brushes, bottled ink, rice paper, set of Chinese colors—will be available for purchase at the first class. Jean’s instructional book, The Dance of the Brush, which the class follows, will also be available for purchase.

5. Basic Watercolor
Carol Curtis

Create color, light, and texture using simple watercolor tools. We’ll focus on flowers and still lives as well as basic drawing, color, and structuring the picture. Bring paint, paper, and a brush. If you’re a real beginner, for $45 you can purchase your supplies in class!

Wednesdays, 9 AM–12 PM
Mar 25–May 13
La Jolla Studio
$190/215 + mat. fee

6. Contemporary Art—Painting & Mixed Media
Rivian Bütikofer

“I think that the spirit is contained in the material and it is the artist’s mission to extract it.”
Anselm Kiefer

Are you interested in expressing yourself in a deeper and more personal way? Perhaps you do not know how to begin doing something different with your art. In this class, we will explore artists who were (and are) producing relevant, authentic art that reflects our rapidly changing world, morals, and values, and stretching themselves to try new things. Some use innovative materials such as sticks, sand, wire, unusual collage, photos, and plaster, along with traditional paints and materials. We will be inspired by internationally known twenty-first century artists, including Anselm Kiefer, Beverly McIver, Philip Akkerman, Susan Dumas, and some relatively unknown artists whom I have discovered mostly in my travels, such as Philip Iverson, H. Craig Hanna, and some exciting African Artists. You will, as always, have the opportunity to study the work of late twentieth century artists such as Rauschenberg, Warhol, Basquiat, and the earlier masters like Picasso, Schiele, Kokoschka, Nolde, and many other diverse and wonderful artists. (We will however, emphasize contemporary artists!) Most of my students enjoy being encouraged to try different media and/or techniques—as well as traditional ones—that will help you express YOUR stories. The focus of this dynamic class is on discovering your own highly individual way of expressing yourself in a supportive and nonjudgmental environment. Most of all we have so much FUN! Instruction will include a comprehensive packet with helpful information regarding creative tools and materials, such as the benefits of opaque vs. transparent paint, which whites to use when, and suggested mediums. Demonstrations will include photo transfer, monotype, “under painting,” and texturing in oil and acrylics, using some of the many materials now on the market. In addition to demonstrations, group discussions, and critiques, relevant CDs and videos will be available for viewing. ALL LEVELS OF EXPERIENCE ARE WELCOME! This class includes two days of working with models in contemporary poses, one day nude and one day clothed. Note: Instructor Rivian Bütikofer will provide a review of art basics for those who want or need it. E-mail Rivian if you have questions at 4choux@sbcglobal.net. Websites: www.rivianbutikofer.com and www.rivianbutikoferphotography.com.

Wednesdays, 12:30 –4:30 PM
Mar. 25–May 13
La Jolla Studio
$225/260 + $10 mat. fee (includes model on two days)

Materials: A list will be given to you at the first class. For the first day, please bring some paper or a sketchbook (minimum 12” x 18”) that can handle the following materials: pencil, thin black felt-tip marker, and something for color—i.e., crayons, oil pastels, and/or paintbrushes; some found materials to use and share, such as string, tree bark, twigs, interesting papers, photos—whatever interests you; and at least two pieces of cardboard, either purchased or cut from boxes.

8. The Basics of Drawing and Painting (in Oils)
Susan Osborn

In this class, students will learn the fundamentals of traditional oil painting on canvas and other surfaces. Instruction includes color mixing, brush handling, materials, and safety. The use of value and drawing skills will be emphasized. Direct (alla prima) techniques and glazing will be covered. Students will also have the option of using water soluble oils as an alternative to solvent-based paints. Instruction will include critiques, one-on-one instruction, demonstrations, and discussions. Home assignments will be given. Intermediate students will work at their own pace.

Thursdays, 9:30 AM–12:30 PM
April 23 – May 28 (6 weeks)
La Jolla Studio
$160/180

Materials: For traditional oil painting: 37 ml. tubes of Burnt Siena and Ultramarine Blue and a 120 ml. tube of Titanium White; a small can of Turpenoid paint thinner and a small can or jar (for example, a tuna fish can); 2B pencils; erasers; strippable paper palette (at least 12” x 16”); three bristle brushes (filberts or flats), #4, #8, #10; canvas board no smaller than 16” x 20”; paper towels.

For water-soluble oil painting: Artisan Brand oils (best choice), 37 ml. tubes of Burnt Siena and Ultramarine Blue and a 120 ml. tube of Titanium White. Artisan Brand brushes are good for this material. Omit Turpenoid and bring a plastic jar for water. Bring all other materials (other than traditional oil paint!) mentioned in the traditional oil painting list.

9. The Portrait Adventure
France-Marie Haeger

There is nothing as exciting in drawing as capturing individual features and seeing the person appear, out of lines, shading, contrasts, colors, and background, right out of your paper. To the beginner, portraiture appears to be a mysterious or impossible task; to the more experienced, a renewed challenge every time. In this class all can explore portraiture from its classic approach of good proportions, accuracy of observation, and composition to expressive means, in which the life and character, and an original style, are the goal. You will gain the necessary skills and perception, and develop an “eye” for the unusual and the courage to break rules and create original artwork with confidence and fun. To enrich your experience, photographs and videos will be used as well as models.

This class is for beginners as well as the more advanced. Drawing will be explored in its different aspects, from realistic to interpretative, with various media such as graphite, ink, charcoal, and pastels. Drawing helps to develop the perception needed in all artistic endeavors. It sharpens the “seeing” eye, refines skills of the “hand,” and encourages personal creativity evoking new ideas and concepts.

Thursdays, 1–4 PM
Mar. 26–May 14
La Jolla Studio
$210/235 (includes model on 4 days)

Material: Drawing paper, 80 lb., 18” x 24”; same size sketch pad or newsprint; graphite B and 4B pencils, black Conté stick, brown (sanguine) Conté stick , charcoal (vine and compressed sticks), black ink and artist pen set, chalk pastels; erasers (plastic, kneaded, and gum); black and colored pastel paper, wallpaper, brown bag; glue stick, scissors.

11. Acrylics for Watercolor Painters
Elaine Harvey

Each of the four sessions of this class will feature a different off-the-beaten-track approach to watermedia painting. The goal will be to experience the pleasures of discovery and also to find new ways to express your own creativity, capitalizing upon the wonderful, natural qualities of watermedia paint. Critiques will be included, as will techniques to help you tame the results of your explorations to produce finished paintings.

Fridays, 9:30 AM–12:30 PM
Apr. 3–May 22
La Jolla Studio
$190/215

Materials: Your usual watercolors and/or acrylics plus white gouache and a white Caran d’Ache Neocolor II crayon; palette or palette substitute; watercolor-style brushes, large and medium sizes, with one small pointed or liner brush; watercolor paper, either sheets or large format tablet; small jar of acrylic soft gel or liquid medium, in matte or gloss finish—your choice. Small bottle of masking fluid; wide roll of masking tape; two water containers; old bath towel, rags, or paper towels; Kleenex or toilet tissue. Pencil; photos or sketches for reference material.
One of the following: a few Caran d’Ache Neocolor II or other water-soluble crayons in favorite colors, watercolor pencils, or pen and ink. Soft graphite pencil, eraser, and sketch paper.
Board or other support for your paper, spring clips; two drop cloths (one for holding a wet painting while you work on another); spray bottle and old toothbrush; one sheet clear acetate the same size as your paintings. Additional materials: students may bring, or may purchase in class, one piece of Yupo paper or one sheet Masa paper. Small amounts of some other materials will be available free of charge.

13. Quick Sketch
Ken Goldman

In this course we will focus primarily on effective ways to simplify and depict the figure in terms of gesture, rhythm, design, flat shapes, and simplified light/dark areas (using pencil, charcoal, pen/wash, and certain simple measuring techniques). Pose lengths will vary from two to twenty minutes or longer. The idea is to vary the size and quantity of figures in conjunction with design principles that make interesting compositions. If you participate in local figure sketch groups, what we do in this workshop will add a whole new dimension to maximizing the space on a single page. Deeper study of anatomy can be shared on a “want to know” basis.

Saturdays, 9:30 AM–12:30 PM
Apr. 18–May 9 (4 weeks)
La Jolla Studio
$160/180 (includes model)

Materials: Bring your own favorite materials or try my supplies, which are listed below. An 18” x 24” newsprint pad; vine charcoal sticks; soft and/or graphite pencils 2B, 4B; a 20” x 26”, 3/16” thick foam core, with clips to hold the Artagain (brand name) paper and newsprint pad. For the latter part of the course: Strathmore Artagain pastel paper, Conté color pastels, and calligraphy pens, which can be obtained from Dick Blick. Paper: several sheets of pastel paper: #10344-2220, Strathmore Artagain 400 Series, single sheet, Gotham Grey, 19” × 25”; #10344-2350, Strathmore Artagain 400 Series, single sheet, Moonstone, 19” × 25”. Pens and brushes: two each water-soluble calligraphy pens, #20820-2003, and Itoya Doubleheader black calligraphy markers; one each #8 round watercolor brush (for creating runny ink shadow washes). Other: Small water container; one set #20201-1209 Conté color pastels, assortment of 48. (This set is small, light, and complete, but any small set containing some light colors, including off-white, is okay.)

14. Screen-Printing Workshop
Amber George

In this workshop, students will learn about an easy, chemical-free screen-printing process that creates bold and graphic imagery. Students will create small editions of prints using a stencil process and water-based inks. By the end of the workshop, students will understand the basic principles of screen printing and have at least one edition of prints to take home. Instructor Amber George will also include information about color, composition, and design strategies. All levels are welcome.

Sat–Mon, 10 AM–4 PM (1 hour break)
May 16–18 (3 days)
La Jolla Studio
10 students maximum
$160/180 + $50 mat. fee

Materials: The fee of $50 will cover ink, paper, and other consumable art supplies. Students will need to purchase and bring to the workshop the following materials available from Dick Blick: one #43417-1004, screen-printing kit, 10” x 14”; three # 44908-1003, 20” x 30” sheets of Scratch-Art Mask-Ease. Other materials needed for the class: self-healing cutting mat; X-acto knife, or similar, with extra cutting blades; notebook and pencils; apron/smock; imagery ideas and/or sketchbook; scissors; black thin-point Sharpie; 18” ruler.

15. Spring Flower Workshop in Tuscan & French Country Style
René van Rems

Spend a morning with nationally renowned Athenaeum instructor Rene van Rems to learn “hands-on” about the latest design trends in floral arranging. This half-day class will include theory on the selection of French and Italian country materials like vases, flowers, fruit, and other decorative elements such as color and texture. The workshop includes two projects that are to be taken home upon completion! Learn to make a hand-tied French lavender (and other herbs) bouquet, and a monochromatic centerpiece with tulips and hyacinths, garden roses, grasses, apples, and vines in a French fruit compote. This class will illustrate that working with garden foliage and other non-commercial natural materials is what sets “country” design apart and why it is in all the current style magazines. This is a custom-made program just for the Athenaeum, and is not offered anywhere else. Sign up early! Class size is limited. All levels of experience welcome.

Saturday, May 22, 9 AM – 12 noon
La Jolla Studio
$ 50/60 + $130 materials fee

Materials: The materials fee should be paid upon registration. It includes all flowers and other decorative elements as well as containers. Please bring a floral knife and pruners. René will have knives available for purchase as well as his book Rene’s Bouquets. Why not give a signed copy as a gift to a special friend! Please wear comfortable shoes. No previous design classes required!

16. Letterpress and Printmaking at Bay Park Press
Sibyl Rubottom

Learn the basics of letterpress on a Universal I Vandercook Press, from setting type to inking and cleaning the press. We will cover the basics of carving linoleum for relief printing, the history of poster and letterpress printing, and the various kinds of paper suitable for printing. We will use our intaglio press to make embossed prints and monoprints and to learn the basics of drypoint etching. We will immerse ourselves in the creative process using the relief and intaglio processes. No prior printmaking experience is required.

Tuesdays, 5:30–9:30 PM
Apr. 7–May 19 (7 weeks)
On Location, Bay Park Press, 4138 Napier St, San Diego, CA 92110
$225/260 + $20 mat. fee

Materials: Please bring a notebook and pencil to first class. Most materials will be supplied. A $20 material fee is due at the first class meeting. This class can be taken for three college credits through UCSD Extension for an additional fee. For information contact Annika at 858-964-1066 or extension.ucsd.edu.

17. Travel Sketchbook
Irina Gronborg

Prepare to travel near or far with a sketchbook so that any trip becomes special and memorable. Learn to record famous landmarks and landscapes, and discover new perspectives, in your unique and personal style. Irina Gronborg travels locally and abroad, never without a sketchbook. In this class she will review basic drawing skills with an emphasis on line and composition. Demonstrations will include sketching intimate settings and grand vistas, gardens, people, and architecture, as well as ways of composing a page that incorporates written observations. She will share her travel sketchbooks and tips for making a sketchbook an indispensable record of any trip. We will meet in the beautiful Alcazar Gardens in the heart of Balboa Park for introductions and then spend the day like tourists.

Saturday, 10AM–4 PM (1 hour break)
Apr. 25
On Location, Balboa Park
$50/60

Materials: All should be small and lightweight. Sketchbook no larger than 7” x 9”, a graphite pencil 2B or 4B, a pencil sharpener, an eraser, a couple of pens (an Identi-pen or your personal favorite), and some color: a 3” travel set of watercolors (Winsor Newton is the best) with a folding sable watercolor brush, or a few color pencils or markers. A lightweight chair is a good idea. Travel clothes: hat, comfortable shoes, sunscreen, water, picnic lunch.

San Diego/Park Blvd. Studio Classes

58. Life Drawing (Long Pose)
No Instruction—Pam Whidden, monitor

This Sunday morning class is for artists who want to draw or paint from the same life model in a long pose over a period of three weeks. There will be several poses and models throughout the eight weeks. A monitor will be present at each class to arrange the schedule and the model’s pose. Walk-in students are welcome. (image: Life Drawing,)

Sundays, 9:30 AM–12:30 PM
Mar. 29–May 17
San Diego/Park Blvd. Studio
$110/125; $17/20 per class

Materials: bring preferred materials.

59. Life Drawing (Short Pose)
No Instruction—Pam Whidden, monitor

This Sunday afternoon class is for artists who want to draw or paint from a life model. There will be a variety of poses and models throughout the eight weeks. A monitor will be present at each class to arrange the schedule and the model’s pose. Walk-in students are welcome.

Sundays, 1–4 PM
Mar. 29 –May 17
San Diego/ Park Blvd. Studio
$110/125; $17/20 per class

Materials: bring preferred materials.

60. Mixed Media with Paper & Cloth
Jane LaFazio

Jane will show you how to paint, collage, draw, stencil and stamp, and sew---all to make art. We’ll create textured, layered backgrounds first, and then Jane will show you techniques and tricks to create an image or focal point for your work. You can work large or tiny, follow the directions or not—but you will come away more creative and knowledgeable about mixed-media materials, techniques, and ideas. Almost everything in the class can be done on a paper surface OR a cloth surface or a combination of the two. Class will be inspirational, positive, and fun, with lots of sharing, laughing, and learning from the others in the class. All levels of experience are welcome, and PREVIOUS STUDENTS CAN EXPECT ALL NEW LESSONS. Questions, e-mail Jane at PlainJaneStudio@gmail.com.

Mondays, 9 AM–12 NOON
Apr. 13–May 18 (6 weeks)
San Diego/Park Blvd. Studio
$160/180 + $25 mat. fee

Materials: a $25 materials fee will be collected in class. For the first day bring a small sketchbook for your own notes and doodles, a bottle of liquid acrylic matte medium, a couple of foam brushes and a sheet of 140 lb. watercolor paper. A materials list for the rest of the class will be discussed in the first class.

61. Painting and Drawing the Human Figure
Ken Goldman

This class will follow a basic approach to painting and drawing the human figure from a life model. Students may use their favorite medium and will be encouraged to experiment with new media. In addition to newsprint or watercolor paper, toned paper may also be used to study dark and light accents in chiaroscuro treatment, in which attention will be given to the creative use of color and value. We will alternate working from both clothed and nude models. Students will have the opportunity to do several two- or three-session sustained paintings. In addition to portraiture, attention will be given to the study of hands, feet, and the head.

Mondays, 1–4 PM
Mar. 23–May 11
San Diego/Park Blvd. Studio
$225/260 (includes model)

Materials: For those using pastels, get the softest vine charcoal; Rembrandt pastels box of 90 or 180 pieces, or Nupastel, box of 96 pieces; Canson brand pastel paper #429, 426, or 431; foam core drawing board cut one inch larger than your paper, with two clips to hold it. For beginning watercolorists: one tube each of Ultramarine Blue and Burnt Sienna watercolor for the first session, more colors if you have them (additional colors will be discussed at first meeting); large covered Woods or Pike palette; a #12 pointed and a one-inch flat brush; Arches or other good quality paper (no Strathmore student-grade watercolor paper); pencils: 2B, 4B, 6B; kneaded eraser; 18” x 24” drawing pad; Morilla 18” x 24” acid-free or rough newsprint. For charcoal: 4B charcoal pencil; softest vine charcoal. Everyone, bring paper towels.

62. Portraiture
Ken Goldman

Working in pencil, charcoal, watercolor, pastel, or oils, we will paint or draw a clothed portrait for two or three sessions per pose. Through this process we will study composition, the step-by-step process of facial anatomy, and expressive color use. We will also pay special attention to points of connection between model, background, and foreground; negative shapes; and overall use of the picture plane, as well as the massing, shading, and facial anatomy of the head. APPROPRIATE FOR ADULTS AND TEENS.

Mondays, 6:30–9:30 PM
Mar. 23–May 11
San Diego/Park Blvd. Studio
$225/260 (includes model)

Materials: For those using pastels: Rembrandt, box of 90 or 180 pieces, or Nupastel, box of 96 pieces; Canson brand pastel paper #429, 426 or 431; foam core drawing board, cut one inch larger than your paper, with two clips to hold it; paper towels; masking tape. For beginning watercolorists: one tube each of Ultramarine Blue and Burnt Sienna watercolor for first session; more colors if you have them (additional colors will be discussed at first meeting); large covered Woods or Pike palette; a #12 pointed and a one-inch flat brush; Arches or other good quality paper (no Strathmore student-grade watercolor paper). Pencils: 2B, 4B, or 6B; kneaded eraser; 18” x 24” drawing pad; Morilla 18” x 24” acid free or rough newsprint; 3B Conté compressed charcoal; 4B and 6B General charcoal pencil; softest vine charcoal; paper towels.

63. Watercolor Botanical—a Contemporary Approach
Helen Shafer Garcia

This class will focus on botanical elements using the “dropped in color” technique, which incorporates luminosity and brilliance in watercolor. It’s a messy, exploratory, out-of-control way of painting that allows the colors to blend and fuse without making “mud.” We’ll work with contemporary experimental painting techniques, including batik methods with Masa paper. Colored pencils and collage elements will be added to embellish shapes. We’ll also use pours, translucent collage, mark making, and surface textures to create magnified, close-up botanical and still-life compositions. Alternative supports will be explored such as paper mounted onto canvas and sealed with an acrylic varnish. Pigment characteristics, color theory, composition, and design will also be covered with demos, critiques, and individual instruction.

Tuesdays, 9 AM–12 PM
Mar. 24–May 12
San Diego/Park Blvd. Studio
$190/215

Materials: We’ll discuss the full supply list at the first class meeting, but bring the following to the first class: Butcher metal tray or plastic palette; large water container, 2B soft pencil and soft eraser; paper towels; at least two round watercolor brushes, #14,#12, or #10; one-inch flat watercolor brush, and one medium-size round acrylic brush for collage work; one sheet Arches 140 lb. cold press watercolor paper; suggested professional grade palette of watercolor pigments (wait until first class meeting to purchase new paints): Lemon Yellow, Cadmium Yellow Light, Quinacridone Red, Quinacridone Rose or Permanent Rose, Quinacridone Gold, Quinacridone Burnt Sienna or Burnt Sienna, Cobalt Blue, Sap Green, Phthalo Green, Ultramarine Blue or French Ultramarine, Cobalt Blue, Manganese Blue, Carbazole Violet.

66. Photo Impressions: Polaroid Transfer Method
Norma Brown Hill

Change your photographs into works of art! Photography allows us to capture our visual world instantaneously. Using your digital or 35mm camera you will take photographs or use photographs from your own personal collection to create Polaroid transfer images—unique impressionistic prints on watercolor paper. We will then enhance our images with watercolors, pastels, rubber stamps, decoupage, etc., to personalize our photographs. Using my special printer, we can use the photographs with other media, including personal memorabilia, old photographs, leaves, flowers, drawings, etc., to collage and create enticing images that can be framed individually or made into a photo journal. You will learn lessons in the art of creative applications that explore the many possibilities of alternative processes and encourage experimentation as well as personal expression. Wondering what to do with all your pictures? Come explore your creativity and end up with art worth framing.

Wednesdays, 1–4 PM
Apr. 8–May 13 (6 weeks)
San Diego/Park Blvd. Studio
$160/180 + $35 mat. fee

Materials: No special equipment is needed other than your own camera, which can be either digital or film—any camera will do, no matter the quality (you can borrow mine if you don’t have one). No experience in art or photography is necessary. Please bring three 4” x 6” photographs to the first meeting.

68. Painting Abstract
Reed Cardwell

Break away from painting traditional subject matter. Come and explore abstract ideas that challenge and stimulate your creativity! Learn to draw and paint intuitively using elements of design such as line, shape, form, color, etc. Bring your own ideas about what to paint—i.e., imagination, photos, sketches. You may paint completely nonobjective abstract work, such as shapes and colors, or use your own ideas and images based on reality. We will have a life model pose for one class meeting. Individual instruction and group critiques will guide you in measuring your progress.

Thursdays, 1–4 PM
Mar. 26–May 14
San Diego/Park Blvd. Studio
$190/215 (includes model on 1 day)

Materials: Bring oil and/or acrylic paints, brushes and painting palette that you already have, or contact the Athenaeum School of the Arts for details. Bring at least two canvases—either stretched or panels to work on, minimum 14” x 17”, maximum 48” x 60” (4’ x 5’). Bring a water container for acrylics, or to hold odorless solvent for oils; one roll paper towels; vine charcoal sticks or chalk pastels; one can spray fixative.

69. Sculpting the Female Figure in Clay
Barbara Postelnek

This class will sculpt the figure in terra-cotta clay from a life model with an emphasis on anatomically correct rendering of the human form. The student will learn measuring techniques with calipers and gain basic knowledge of solid body buildup (working without an armature) techniques, as well as drying and firing information. Students will be required to learn technical problem solving in achieving a likeness of the model as well as the importance of composition and presentation of the finished sculpture.

Thursdays, 6–9 PM
Mar. 26–May 21 (9 weeks)
San Diego/Park Blvd. Studio
$240/275 (includes model)

We will explore ways to create a standing figure without an armature to enable firing. You are welcome to use an armature if you choose (you can bring your own or purchase one form the instructor). Wet clay will be for sale at the studio for $10. Bring a board measuring between 12” x 12” and 16” x 16” and two plastic bags to cover the one- to two-foot sculpture. Other materials: newspaper and masking tape.
This class can be taken for three college credits through UCSD Extension for an additional fee. For information contact Annika at 858-964-1066 or extension.ucsd.edu.

70. Advanced Oil Painting Techniques
Pat Kelly

This class offers an opportunity to expand your range of techniques and develop a personal style. Working from a still life, we will paint quick sketches as well as longer studies. We will discuss direct painting technique, glazing, and other traditional oil painting techniques, as well as how and when to use photographic references. Intermediate to advanced students welcome.

Fridays, 9 AM–1 PM
Mar. 27–May 15
San Diego/Park Blvd. Studio
$225/260 + $5 mat. fee

Materials: A $5 materials fee is due at the first class. Four 8” x 10” canvas boards; two 11” x 14” canvas boards; two 16” x 20” canvases; a half dozen brushes, including white bristle flat or filbert #2, #4, and #6, and a small pointed round brush for detail, #2–4; one medium-size palette knife; paper towels; odorless turpentine; cup for turpentine, Winsor & Newton Liquin; a wooden palette; a jar with a lid; oil paints: Alizarin Crimson, Cadmium Red Medium, Cadmium Yellow Medium, Cadmium Lemon, Phthalo Blue, Ultramarine Blue, Permalba White, Cadmium Orange, Raw Umber, Mars Black, Flake White.

Saturday Atelier at the Athenaeum

In the Saturday Atelier at the Athenaeum, students may sign up for one class mornings or afternoons, or spend the entire day at the Atelier. INDIVIDUAL INSTRUCTION TAILORED TO THE ABILITY LEVEL OF EACH STUDENT AS WELL AS CLASS INSTRUCTION. Pat Kelly will be your instructor for the Landscape Painting and Drawing classes.

71. Landscape Painting—Painting the Urban Landscape
Pat Kelly

Move from realism to abstraction in painting the landscape. In this class we will use natural forms as inspiration to create an abstract composition in oils. You will learn how to expand color, composition, and painting techniques to go beyond realistic representation. This class is valuable for those wishing to explore abstract painting, as well as those wishing to improve their representational painting skills.

Saturdays, 9 AM–1 PM
Apr. 4–May 9 (6 weeks)
San Diego/Park Blvd. Studio
$190/215 + mat. fee

Materials: Two small canvases, 11” x 14” or 12” square. You will need one large canvas; size will be discussed at the first class meeting. Half dozen brushes, white bristle flat or filbert, size 1/2” to 2” wide; small pointed round brush for detail, size #2–4; one medium-size palette knife. Paper towels; odorless turpentine; cup for turpentine, Winsor Newton Liquin, large-size palette; jar with lid. Oil paints: Alizarin Crimson, Cadmium Red Medium, Cadmium Yellow Medium Cadmium Lemon, Phthalo Blue, Ultramarine Blue, Permalba White, Cadmium Orange, Raw Umber. (Large-size tubes of inexpensive student-grade paints such as Winton are recommended.) (image:Kellystudent Susan Walters, Lucky Truck)

72. Drawing from Life: Sketching Outdoors
Pat Kelly

Drawing forms the foundation for the studio arts. Leaning to draw begins with learning to see. The rest is a learned skill that requires knowledge, practice, and dedication. This class will include all the fundamentals of drawing line composition, tonal values, and texture. During the course we will work directly from variety of subjects, including the arranged still life, the landscape, and the model. This is a great class for beginners as well as intermediate students.

Saturdays, 1:30–3:30
Apr. 4–May 9 (6 weeks)
San Diego/Park Blvd. Studio
$110/125

Materials: An 18” x 24” white drawing pad (50 sheets); drawing board with clamps; two woodless graphite sticks, 6B or 8B; two each of the following: 6B, 2B, and HB drawing pencils. (You may substitute the Prismacolor graphite set.) Pencil sharpener, sandpaper board, kneaded eraser, white Magic Rub eraser. (image: KellyNorth of Windansea)

School of the Arts Main || Spring 2009 Schedule || Summer 2009 Schedule || Instructor Biographies Summer 2009 Children's Classes || Driving Directions and Maps Click Here to Register

Spring 2009 School of the Arts Schedule

School of the Arts Main || Spring 2009 Schedule || Summer 2009 Schedule || Instructor Biographies
Summer 2009 Children's Classes || Driving Directions and Maps
Click Here to Register