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Thursday, January 9, 2025
7:30 PM
In addition to honoring their longtime collaborator composer Stuart Saunders-Smith with a performance of Notebook for ensemble, NOISE performs solo works by Matthew Burtner, Salina Fisher, and others.
January 9, 10 & 11, 2025
7:30 PM
San Diego New Music and the Athenaeum Music & Arts Library present the 2025 soundON Festival, exploring cutting-edge contemporary music from around the world. Celebrate the 30th Anniversary of San Diego New Music and the 25th Anniversary of San Diego New Music's ensemble-in-residence NOISE with all-time favorites alongside brand-new works. Enjoy three nights of concerts in two separate locations in San Diego!
Friday, January 10, 2025
7:30 PM
In their first concert 25 years ago, NOISE performed a classic of the mid-20th century, Pierre Boulez’s Le Marteau sans maître. On the 10th, they reprise this work, along with a selection of pieces performed by guest artists Duo Entre-Nous, visiting from Arizona.
Saturday, January 11, 2025
7:30 PM
San Diego New Music closes the festival with a concert featuring Christopher Adler’s groovy classic Ecstatic Volutions in a Neon Haze and a world premiere of a newly commissioned work by Sidney Marquez Boquiren.
Thursday, January 16, 2025
7:30 PM
The fall series concludes Thursday, January 16, with the Athenaeum debut of the Alex Kautz Quartet, featuring Kautz on drums, Chico Pinheiro on guitar, John Ellis on saxophone, and Hamish Smith on bass. Renowned for his musicality, groove, and knowledge of various genres, Kautz stands out as a distinguished percussionist, educator, and composer. With an unwavering passion for jazz and world music, he has crafted a captivating and distinct musical voice. A Brazilian artist based in New York City, Kautz has been an important part of the city’s music scene for the last decade and has played and/or recorded with some of the top artists in the industry today, including Tim Ries, Magos Herrera, Nilson Matta, Chico Pinheiro, Steve Wilson, Lenny Andrade, Fabio Gouvea, Helio Alves, Victor Prieto, and Lionel Loueke.
Thursday, January 23, 2025
7:30 PM
As an example of experimental archaeology, in 2009, Dr. Schwab and six students collaborated with a professional hairstylist to test whether or not the six Caryatids’ hairstyles could be recreated with a positive result. Tools and hair products, just like today, were important in the domestic sphere. The arrangement of hair became a clear signal of rites of passage and status within the community. Locks of hair were often dedicated in temples or cut before warriors left for battle. Together we will explore a range of ancient Greek hairstyles and their meanings for both individual and society.
Thursdays, January 23 & 30; February 6 & 13, 2025
7:30 PM
In this four-part lecture series Dr. Katherine Schwab will explore topics that help us discover a deeper understanding of the people and times in Ancient Greece. Using hairstyles, coinage, athletics, and jewelry, she will highlight objects to consider how a society over two millennia ago thought about adornment, objects, and activities that are quite familiar to us in our own lives today.
Sunday, January 26, 2025
7:30 PM
The winter series opens on Sunday, January 26, with the return of celebrated Venezuelan pianist-composer-arranger Edward Simon, joined by his longtime trio members bassist Reuben Rogers (also known for his work with Charles Lloyd) and drummer Adam Cruz (also known for his work with Danilo Pérez). Simon’s last Athenaeum performance as a leader was with his project Femeninas: Songs of Latin American Women, which featured vocalist Magos Herrera. He returns to the library to celebrate the release of a new trio album, Latin American Songbook, vol. 2, which has a special focus on the Afro-Caribbean musical traditions of his native Venezuela.
Sunday, January 26 » Edward Simon Trio
Friday, March 7 » Allison, Cardenas & Nash
Wednesday, March 12 » Sullivan Fortner Trio
Wednesday, March 19 » Avishai Cohen Quartet
7:30 PM
Jazz returns to the Athenaeum for our annual series of winter concerts in the Joan & Irwin Jacobs Music Room (at 1008 Wall Street in La Jolla). This series features both Athenaeum favorites and debuts by internationally acclaimed artists. Seating is limited so order soon!
Thursday, January 30, 2025
7:30 PM
We carry pocket change as currency. The idea for these coins or coinage came from the ancient Greek world. The earliest coins, made of electrum at Sardis, rapidly evolved into silver coins of different weights and values. One drachma (the Greek monetary unit at the time) equaled a day’s wage. Both the front and back of the coin displayed designs, resembling miniature relief sculptures. Artists sometimes added their signature to the coins. Cities and islands developed unique images, an early form of advertising and branding. Once in circulation, Greek coins traveled great distances throughout the Mediterranean region and beyond. Even today, many of these ancient coins are admired in museums and sought by collectors for their beauty and rarity.
Thursday, February 6, 2025
7:30 PM
Several customs, traditions, and events in today’s modern Olympics can be traced back to the ancient competitions held at Olympia. Today’s victors are celebrated for their athletic prowess, as they were in ancient Greece. This lecture will focus on the important role of athletics in ancient Greece, the four Panhellenic sites, and the unique Panathenaic Games celebrated in Athens. As they are today, athletics were popular in ancient Greece, where boys and young men devoted time to working out in the palaestra (gymnasium) to maintain fitness and ultimately to be ready for combat. Even the passage of time was organized around the four-year interval between Olympic Games known as the Olympiad, and specific Olympiads were numbered as markers of the events and political developments associated with those times.
Monday, February 10, 2025
7:30 PM
On Monday, February 10, the Grammy-nominated ensemble AGAVE returns to the Athenaeum with Reginald Mobley, a countertenor noted for his “shimmering voice” (BachTrack) and renowned for his interpretation of baroque, classical, and modern repertoire. AGAVE will present American Originals, a program based on their album of the same name that features music by brilliant yet underrepresented composers and explores how the blending of European, African, and indigenous styles created uniquely American sounds. The ensemble will include Mobley, Co-Director Aaron Westman on violin and viola, Anna Washburn on violin and viola, Kevin Cooper on guitar and theorbo, Katherine Kyme on violin and viola, William Skeen on viola da gamba and violoncello, and Co-Director Henry Lebedinsky on harpsichord and piano.
Thursday, February 13, 2025
7:30 PM
Ancient Greek gold jewelry is renowned for its intricate designs and goldsmithing techniques, such as granulation. Adornment applied to both men and women, even to statues and other objects. Gold jewelry accompanied an individual throughout a lifetime to the grave. Statues could be adorned with wreaths or earrings, and vases could be adorned with painted gold necklaces. Women dedicated jewelry to a goddess in her temple. Royal families amassed extraordinary examples of goldwork, all of it ornate and substantial in size and weight. Numerous gold wreaths with leaves and acorns or berries have been discovered in royal tombs. Today some of the finest jewelers in Greece have found inspiration from these artifacts when developing their own jewelry for the public. In this lecture we will explore some of the finest examples of ancient Greek gold jewelry.
Friday, March 7, 2025
7:30 PM
The series continues Friday, March 7, with a San Diego debut by Allison, Cardenas & Nash, a collective trio of top New York City–based artists bassist Ben Allison, guitarist Steve Cardenas, and saxophonist Ted Nash. The trio weave musical conversations that are full of subtlety and surprise. They have released four albums including their latest, Tell the Birds I Said Hello: The Music of Herbie Nichols, which features previously unknown music by Nichols, an underpraised pianist-composer often compared to Thelonious Monk.
Wednesday, March 12, 2025
7:30 PM
Next up, on Wednesday, March 12, is a return visit by the remarkable Sullivan Fortner Trio, featuring Fortner on piano, Tyrone Allen on bass, and Kayvon Gordon on drums. New Orleans–native Sullivan Fortner has gained wide recognition as one of the most accomplished jazz musicians of his generation. His accolades include the 2015 Cole Porter Fellowship, the Leonore Annenberg Arts Fellowship, the 2016 Lincoln Center Award for Emerging Artists and, in 2020, the Shifting Foundation Grant for artistic career development. A Grammy Award–winner, he has earned recognition in multiple DownBeat Critics Polls, winning first place as both Rising Star Pianist and Rising Star Jazz Artist. His broad range of musical associations includes artists such as Roy Hargrove, Stefon Harris, Cecile McLorin Salvant, Ambrose Akinmusire, and Wynton Marsalis.
Wednesday, March 19, 2025
7:30 PM
The series concludes on Wednesday, March 19, with the local debut of the Avishai Cohen Quartet, featuring Cohen on trumpet, Yonathan Avishai on piano, Barak Mori on bass, and Ziv Ravitz on drums. Cohen is globally recognized as a player-composer open to multiple strains of jazz and active as a leader, co-leader, and sideman. Aside from the acclaimed work with his quartet, he has also recorded and toured as part of the Mark Turner Quartet, the SFJAZZ Collective, and the 3 Cohens Sextet—with his sister, clarinetist-saxophonist Anat, and brother, saxophonist Yuval.
Monday, March 31, 2025
7:30 PM
Meet Victor Horta, Paul Hankar, and Henri van de Velde who originated the Art Nouveau style in Brussels. The movement elevated “craft” to an “art” and unified all art forms. In using modern materials and construction techniques, it eliminated historicism while emphasizing nature and movement through use of the whiplash line. Open floor plans and expansive use of glass, mirrors, and electricity brought transparency and spatial fluidity to once dark and constricted interiors.
Monday, March 31, April 7, 14 & 21, 2025
7:30 PM
The international art movement known as Art Nouveau flourished from the early 1890s to 1914. Rejecting historical references and traditional geometric forms, it featured florid vegetation, sinuous lines, and asymmetry. Although the design approach encompassed all visual art forms, it was most prevalent in architecture and the decorative arts. Furniture, mirrors, metalwork, art glass, carved plaster, and intricate paneling all featured the signature “whiplash” lines of Art Nouveau. Originating in Brussels, and highlighted in the Exposition Universelle of 1900 (better known in English as the 1900 Paris Exposition), the style is strongly associated with the wealthy and fashionable.
Monday, April 7, 2025
7:30 PM
The style gained popularity through exposure at the Paris Exposition. French architects Hector Guimard, Jules Lavirotte, and Frantz Jourdain experimented with optics, transparency, motion, and point of view. Decorative artists, like Louis Majorelle, Emile Gallé, and Georges de Feure, contributed furniture, glass, and metalwork that integrated into the overall design, while jewelry, paintings, and poster design continued to use Art Nouveau techniques independent of architecture.
Tuesday, April 8, 2025
7:30 PM
The series continues Tuesday, April 8, with the Great Wall String Quartet performing a program of Mendelssohn, Schulhoff, and Beethoven. Its members share a vision to connect with more immediacy to audiences and to give guidance to the next generation of chamber musicians. In his role at the Deutsches Symphony Orchester Berlin, violinist Wei Lu is one of the youngest concertmasters in a major orchestra. Violinist Qi Zhou is a member of the prestigious chamber orchestra Philharmonisches Kammerorchester Muenchen. Xu Wenbo is the current viola and chamber music instructor at the North German Radio Symphony Orchestra Academy in Hamburg. Hailed in New York Concert Review as “a superb cellist with intense and sensuous sound,” Yao Zhao performs with a dynamism that has secured him a successful career as the principal cello of the San Diego Symphony Orchestra.
Monday, April 14, 2025
7:30 PM
The waning days of the Austro-Hungarian Empire coincided with a flourishing of Belle Époque artistic expressions in Eastern Europe. By the mid-1890s, the experimental Vienna Secession advocated for integrated design, while the “Wagner School” (named after Otto Koloman Wagner) supported a modern architecture where form followed function. Rebuilding, due to modernization, of Vienna led to entire sections of the city built in the Art Nouveau style. Artisans of the Wiener Werkstätte (Viennese Workshops) influenced the later Bauhaus, American Art Deco, Scandinavian Modernism, and Italian Craft and Design.
Monday, April 21, 2025
7:30 PM
Architect Antonio Gaudí was the greatest exponent of Catalan modernism. Influenced by neo-Gothic techniques and orientalism, he forged a unique organic style inspired by the complex geometry of natural forms. Although his very long career predates and postdates Art Nouveau’s heyday, his most original works coincide with the 1890–1915 period of this lecture series. His experimental work with hyperboloid and paraboloid arches influenced mid-century modernism, High Tech, postmodernism, and Deconstructivism.
Monday, May 12, 2025
7:30 PM
The series concludes Monday, May 12, with the New Orford String Quartet presenting works by Mozart, Dinuk Wijeratne, and Schubert (Death and the Maiden). Violinists Andrew Wan and Jonathan Crow, violist Sharon Wei, and cellist Brian Manke formed their ensemble with the goal of developing a new model for a touring string quartet: bringing four elite orchestral leaders and soloists together on a regular basis over many years to perform chamber music at the highest level. The Toronto Star has described this outcome as “nothing short of electrifying.” They have seen astonishing success, giving annual concerts for national CBC broadcast and receiving two Opus Awards for Concert of the Year and a 2017 JUNO Award for Best Classical Album. Recent seasons have featured return engagements in Chicago, Montreal, and Toronto, as well as their New York City debut on Lincoln Center’s Great Performers series.